[Elements] 051113
pleiades@centurytel.net
pleiades at centurytel.net
Sun Nov 13 16:23:11 GMT 2005
ELEMENTS SUNDAY, NOVEMBER 13, 2005
[The Australian Review](2)
______________________________________________________________________________
Date: Sun, 13 Nov 2005 10:02:19 +0800 (CST)
From: Dave MacDonald <kaosommadawn at yahoo.com.hk>
Subject: Re: [Amarok] The Australian Review
Hi all, congrats on your review in the Oz wolf.
I`ve just finished reading reviews in a pommy mag by the name of Uncut, I`m
sure a lot of you have
seen it but for those who ain`t, here is this years winner of the VD award
for music critics.
"Light + Shade" - 2 stars(out of 5)
Sumptuous but soulless twin set from ageless virtuoso.
Forget preconceptions of Oldfield as a grouchy prog dullard and his latest
double album actually
sounds rich in lovely noises,the criss crossing vapour trails of
software-generated vocals on "The
Gate", the vast plateau of Ry Cooder-esque twangs on "First Steps", the
misty eyed Celtic swells
of "Pres De Troi". Likewise the glistening trance-techno belters on the
second "Shade" disc,which
would have slipped comfortably into a late-`90s Paul Oakenfold set. If only
the whole enterprise
were not so polished,bloated and laden with baroque,latterday Floydian
guitar noodling. Oldfield
is one of the last great English eccentrics of middle-brow-coffee-table pop
- but then so is
Andrew Lloyd Webber"
Stephen Dalton.....
hmmm, who`s paul pakenfold then my preciouses? but seriously does anyone on
the list know this
alleged reviewer Mr Dalton? A visit from the boys with empty cider bottles
ought to jostle his
writing brain cell into remembering what it is he is paid to do methinks.
____________________________
From: "wolf" <wolfies at fastmail.fm>
Date: Sun, 13 Nov 2005 17:25:58 +1100
Subject: Re: [Amarok] The Australian Review
Hey Dave - nice ta hear of you again! Hope honkers is treatin' you right
:D
tanks for kind words re review
> I`ve just finished reading reviews in a pommy mag by the name of Uncut,
I`m sure a lot of you have
> seen it but for those who ain`t, here is this years winner of the VD
award for music critics.
hahahaha! *spot* on!
now - to Mr Dalton - by all accounts a well read and respected, often
published rock writing veteran who straddles the globe and some of the
world's mot prestigious publications with his opinions -
but *beware* - this is a guy who cut his teeth at NME - Mike's nemesis
in the punk era...you can still hear the institutionalised bitterness
echoing through the decades..
>Forget preconceptions of Oldfield as a grouchy prog dullard
anyone here have those preconceptions? hands up - and prepare for firing
squad
then we have the usual "what he got he pinched from everyone else" train
of thought - which is insulting to both MO and those he cites
> sounds rich in lovely noises,the criss crossing vapour trails of
> software-generated vocals on "The
> Gate", the vast plateau of Ry Cooder-esque twangs on "First Steps", the
> misty eyed Celtic swells
> of "Pres De Troi"...
>...if the whole enterprise
> were not so polished, bloated and laden with baroque, latterday Floydian
> guitar noodling.
then the usual nose-picking poisonous snipe -
> Oldfield
> is one of the last great English eccentrics of middle-brow-coffee-table
> pop
and there you have it - the *typical* MO review - one quick listen and
two minutes to write
and, as usual, it's by someone in love with his own wordsmith
cleverness in almost complete ignorance of, and certainly at the expense
of the artist he's having a
lovely time castigating
mate, there are so many of these - if you research MO reviews you won't
find more than a handful that are positive since 1975. i believe MO is
an easy target for this sort of half-baked, badly thought out wankery
because he is unique - a giant multi-coloured beach ball of a musician
with no real peers, and no real precursors.
> hmmm, who`s paul oakenfold then my preciouses?
Paul Oakenfold is one of roughly 10,000,000 indistinguishable dance
party techno producers - who
go onstage with a bank of computers, often in Ibiza, and pretend to
break a sweat twiddling knobs for the gyrating hordes
> but seriously does anyone
> on the list know this
> alleged reviewer Mr Dalton?
not I, sir
> A visit from the boys with empty cider
> bottles ought to jostle his
> writing brain cell into remembering what it is he is paid to do methinks.
heh :D
sounds like a job for the Rob Miles army!
wolf
_________
Appendix on Mr Dalton - (or should that be spleen..!)
Stephen Dalton began his writing career at NME way back in prehistoric
times, before the death or irony and the rise of Britpop. Due to a
bizarre administrative oversight he remains an irregular NME
contributor, but mainly writes on music and film for Uncut, The Times
and Scotland on Sunday. His work also makes occasional guest appearances
in Sight and Sound, Loaded, The Sunday Times, The Scotsman, The Age
(Melbourne), The Sunday Herald (Glasgow), The Sunday Tribune (Dublin),
Irish Examiner (Cork) and various other august publications. He
currently divides his time between Bath and Berlin, and nurses an
unhealthy erotic fascination with Condoleezza Rice. He has never written
a best-selling novel, sold a million-dollar screenplay or smoked crack
with a supermodel. But he is open to offers.
List of articles in the library by artist
Asian Dub Foundation : Foundation Course
Report and Interview by Stephen Dalton, unpublished, February 2003
Basement Jaxx/Goldie Lookin' Chain: Bristol Canons Marsh
Live Review by Stephen Dalton, The Times, August 2004
The Beautiful South
Interview by Stephen Dalton, NME, March 1999
Beck, Guero and Scientology
Interview by Stephen Dalton, Scotland on Sunday, March 2005
Jane Birkin: A Legend In Her Own T'aime
Profile and Interview by Stephen Dalton, The Times, February 2001
Björk
Interview by Stephen Dalton, Vox, June 1993
Nick Cave : "I Wasn't Sid Vicious": Nick Cave
Interview by Stephen Dalton, The Times, September 2004
Elvis Costello & The Imposters: The Delivery Man (Mercury)***
Review by Stephen Dalton, Uncut, November 2004
The Fall : Mark E Smith: Not Falling, Soaring
Interview by Stephen Dalton, Vox, June 1991
50 Cent: Wembley Arena
Live Review by Stephen Dalton, The Times, September 2003
Serge Gainsbourg : Jane Birkin: A Legend In Her Own T'aime
Profile and Interview by Stephen Dalton, The Times, February 2001
Goldie Lookin' Chain : Basement Jaxx/Goldie Lookin' Chain: Bristol
Canons Marsh
Live Review by Stephen Dalton, The Times, August 2004
PJ Harvey : The Dark Lady of Dorset: Polly Jean Harvey
Interview by Stephen Dalton, NME, 1998
The La's : 20 Questions: The Las
Interview by Stephen Dalton, NME, November 1990
Shelby Lynne
Interview by Stephen Dalton, The Times, April 2000
Madonna : Manchester Evening News Arena
Review by Stephen Dalton, The Times, August 2004
Massive Attack Take A Stand
Interview by Stephen Dalton, The Scotsman, February 2003
To see an illustrated version of this article, click here
Bob Mould : Ground Sugar
Interview by Stephen Dalton, Vox, June 1993
Nine Inch Nails : An Interview with Trent Reznor
Interview by Stephen Dalton, NME, 1999
John Peel RIP
Obituary by Stephen Dalton, Uncut, December 2004
Pet Shop Boys : Neil Tennant, Brett Anderson and Vic Reeves: Twentieth
Century Blues
Interview by Stephen Dalton, NME, April 1997
Pet Shop Boys : The Pet Shop Boys: Pop-aganda
Report and Interview by Stephen Dalton, The Times, September 2004
Pizzicato Five : Caught In A Von Trapp! Pizzicato Five
Interview by Stephen Dalton, NME, March 1997
Radiohead : Hail to the 'Head
Report and Interview by Stephen Dalton, The Melbourne Age, April 2004
Radiohead and Whose Army
Profile and Interview by Stephen Dalton, Uncut, 2001
Razorlight: Manchester Apollo
Review by Stephen Dalton, The Times, February 2005
Suede : Neil Tennant, Brett Anderson and Vic Reeves: Twentieth Century
Blues
Interview by Stephen Dalton, NME, April 1997
Sugar : Ground Sugar
Interview by Stephen Dalton, Vox, June 1993
U2 and the Making of Achtung Baby
Retrospective and Interview by Stephen Dalton, Uncut, November 2004
The White Stripes : White Stripes Or Shite Hype?
Comment by Stephen Dalton, The Times, August 2003
Jah Wobble
Report and Interview by Stephen Dalton, The Times, August 2004
List of genre pieces
Revolution Rock
Essay by Stephen Dalton, Vox, June 1993
Rock 100: Um, What Was It We Wanted To Say?
Book Excerpt by Stephen Dalton, Lenny Kaye, Cooper Square (reissue),
1999
even more at:
http://www.rocksbackpages.com/writer.html?WriterID=dalton_s
________________________
(end)
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